Nr. 22, April 2009

Mauro Piccinini

From Stravinsky to Paul Whiteman
The Historical Context of Antheil's A Jazz Symphony

Jean-François Trubert

Un exepmle de structuration rythmique dans Anagrama
(1957-58) de Mauricio Kagel

Jennifer Iverson

Shared Compositional Techniques between György Ligeti's Pièce électronique N° 3 and Atmosphères

Tiffany Kuo

An Americanization of Berio
Tracing American Influences in Luciano Berio's Traces

Dorothea Ruthemeier

Plastisch-direktes Erfinden von Klangobjekten.
Zu Wolfgang Rihms Skizzenbücher der 1980er Jahre