Nr. 25, April 2012

Juha Torvinen

Erik Bergman and the Subject of Composing

Leo Izzo

Da New Orleans a Vienna
Strategie compositive in Il mio cuore è nel Sud di Bruno Maderna

Ananda Olita

L’atavisme sur la voie de la modernité
Aspetti compositivi in Frank Martin

Daniel Guberman

Elliott Carter’s Cold War Abandonment of the Chorus

François-Xavier Féron

L’organisation rythmique dans la première section de Modulations (1976–77) de Gérard Grisey

Bianca Tiplea Temes

Tracking Down Ligeti’s Unfinished Third and Fourth String Quartets